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All of these panels you see can be adjusted and moved to pretty much any location you want. So I first want to talk about how workspaces are designed in Premiere.
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Alright, let’s get right into how you can set up a custom premiere pro workspace. So please do consider following this blog (on the top left on the page) and subscribing to my YouTube channel so you don’t miss any of those. Hey guys! My name is Scott and I make tutorials like this one on Premiere Pro, Photoshop, and articles on tips and tricks for freelancing. For even more resources, tips, and insights, be sure to visit Vashi’s site at vashivisuals.In this post I’m going to show you how you can setup a custom workspace in Premiere Pro! With this freebie, you can now edit with ease and use the same workflows as Hollywood movies. We hope you enjoy this Deadpool workspace created by Vashi Nedomansky. prproj extension before trying to open.įinally, once you have the setup open, you can save it as a new workspace by clicking Window > Workspaces > Save New Workspace. Once you unzip the file, you may find that the file doesn’t have an extension.
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When you initially set up the download it will download a. There are a couple of things to note about the project file when downloading. It’s a pretty sweet setup and one that many people will, no doubt, find useful. Download the Deadpool Workspace for Premiere Proĭoes this all sound really great? Download the custom Deadpool Premiere Pro workspace here. This makes it easy to dump clips into the Selects sequence and review them before adding them to the Main #1 sequence.
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Across the top half are the traditional score and program windows to see your clips and your timeline.īelow, Vashi has set up both of the initial sequences, with the Selects sequence placed above the Main #1 sequence. The second monitor is set up for straight editing. Finally, there is a large audio meter strip running down the right side, so you always have a handle on volume. The quadrant below is for audio and includes tabs for your audio track mixer, and audio clip mixer. These tabs have just about everything you’ll need on a regular basis while editing. On the right half of the screen, one has a quadrant dedicated to effects, markers, medata, libraries, Lumetri scopes, and media browser. The sequences folder also houses two sequences (Main #1 and Selects). Vashi has even gone ahead and created all of the folders you might need for workflow like sequences, VFX, titles, music, and more. On monitor 1, Vashi set up media, effects, color, and audio settings. But if you do have two monitors, here’s what you can expect to find. The first thing to note is that it is a two monitor workspace, so if you are working on a single monitor setup it’s not going to be that helpful.
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Then he gave it away for free on his site! Vashi’s Deadpool Premiere Pro Workspace When working on Deadpool, Vashi created a two monitor Premiere Pro workspace that would help maximize efficiency for editing. Here he writes about all kinds of industry-related topics and gives away some really cool stuff. Vashi is also a big force in the Premiere Pro community with his site. Then he worked with director Tim Miller and editor Julian Clarke to set up the post-production pipeline for Deadpool. He worked with David Fincher and editor Kirk Baxter to train them and set up their post-production workflow for Gone Girl. His company has helped many filmmakers make the switch to Adobe Premiere Pro for editing. He’s a high-profile editor with numerous projects under his belt, and he’s also a huge proponent of Premiere Pro. Oh, and did we mention that you’ll be able to download the custom workspace to use in Premiere Pro? Check it out and see for yourself! About VashiVisualsĭeadpool isn’t Vashi’s only accomplishment. If you’ve ever looked at the Deadpool films from an editor’s point of view, you’ll love seeing exactly how Vashi laid out his workspace to edit it. Today, we’re going to be looking at the workspace setup of one very well-known film editor - the man responsible for the Deadpool films - and how he’s helping Hollywood take the necessary steps to make the switch to Premiere Pro. Increasingly, film editors are choosing to use this NLE to get the amazing results we see on the big screen!īut, have you ever wondered exactly how these Hollywood editors set up their workspaces? If you’re new to Premiere Pro, or even an intermediate user, you may never have had the chance to peer into a big budget workspace setup. This speaks volumes about the quality of Premiere Pro as an editing program.
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We’ve talked a lot about how Hollywood is turning to Premiere Pro more often for film and TV productions.
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